Articles, photography, multimedia, and field notes by our Campus Consortium Reporting Fellows, published by the Pulitzer Center and other news media outlets. Field notes are personal reflections that take the reader behind-the-scenes of their reporting. Learn more about the Reporting Fellows Program here.
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PART OF: After Maria: Puerto Rican Journalists Battle Natural and Economic DisastersOctober 31, 2023
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To clean up nearly 100 years of soil contamination a community must fight environmental racism.
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Medill alumna Elena Bruess documents the disproportionate impact of Covid-19 on a predominately...
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Navigating race relations in the U.S. is a challenging task, particularly for Black migrants and...
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Who was left behind in the recent Ramos vs. State of Louisiana Supreme Court decision?
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Indigenous Mexican immigrants access cultural and linguistic inclusion through community radio in...
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Some religious gatherings worldwide turned into coronavirus-spreading events. In India, members of...
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This work explores complexities vis-à-vis the “mental health crisis” in Cambodia, drawing from...
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As the coronavirus ravages marginalized communities, it's putting migrant farmworkers most in danger...
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Himalayan highlanders remain concerned despite the lack of reported cases of COVID-19.
![The Louisiana State Penitentiary, located in Angola, Louisiana, is a prison farm nicknamed the "Alcatraz of the South." Image by Katherine Welles / Shutterstock. United States, 2014.](/sites/default/files/styles/510x315/public/10-12-20/shutterstock_195769625.jpg.webp?h=1e3fee95&itok=UVoXPe-E "The Louisiana State Penitentiary, located in Angola, Louisiana, is a prison farm nicknamed the "Alcatraz of the South." Image by Katherine Welles / Shutterstock. United States, 2014.")
![“I believe that before, we danced as an offering to the gods, or a holy object of some sort. But in this generation that follows, we dance because there is a story inside [of each dance],” Voan Savay says. Image by Olivia Norrmén-Smith. Cambodia, 2019.](/sites/default/files/styles/510x315/public/08-14-20/offstage_preparations.jpg.webp?h=8f74817f&itok=yI_A8vOk "“I believe that before, we danced as an offering to the gods, or a holy object of some sort. But in this generation that follows, we dance because there is a story inside [of each dance],” Voan Savay says. Image by Olivia Norrmén-Smith. Cambodia, 2019.")
