Reports from the field - an exclusive channel of Pulitzer Center reporting
Venezuelan caminantes leave their country with everything they own on their backs in the hopes of a finding better future. What conditions do they face once they arrive on the roads of Colombia?
Sexual violence is normalized in Ugandan culture, while sex and sexuality are so taboo that nobody discusses them. Passionate women are rising up to lead the fight against these harmful norms.
Spending a day in the East Jerusalem's Muslim Quarter highlights the beauty of the Palestinain food culture, spotlights the Palestinian struggle, and personifies the daily clash of people, politics, and religion in one of the world's most disputed cities.
Nablus has garnered a storied reputation as a refuge for radicals and a symbol for Palestinian resistance. But it also holds some of the richest culinary and agricultural traditions in the West Bank.
Sexual violence is ingrained into Ugandan culture, largely due to its normalization in society. Finally, a powerful movement is underway to start the conversation about the issue in Uganda.
Since 1988, the rights of Indigenous people in Brazil have been entitled to protection under the constitution. Yet, their reality tells a different story.
A behind-the-scenes look at interviews with women in Turkey's computer science industry.
"She’s Not a Boy" directors Yuhong Pang and Robert Tokanel detail their production trip to Gutu, Zimbabwe.
The Box, a piece of transformational theater based on a journalist’s investigation into solitary confinement, was staged on Alcatraz in June 2019, providing a rare glimpse into the deep end of our prison system through the stories of those who have experienced it.
The people of Grassy Narrows have dealt with the effects of industrial pollution for almost five decades. With government promises made and broken, they take to the streets to fight for justice.
Women in Turkey interested in studying computer studies and related fields struggle with ways to overcome gender bias and discrimination in order to join the IT workforce.
Sarah Shourd’s play, based on her 3-year investigation into the horrors of solitary confinement, is a piece of transformational theater that asks us to re-examine long-held notions of punishment as it reveals the tragic—and sometimes painfully comic and absurd—realities that dictate life “inside the box.”
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