By Lynde Mogensen
12th grade | Adlai E. Stevenson High School | Illinois
First place contest winner, Human Rights category

With lines from "Trump’s Reelection Victory Pushes Some LGBTQ Minneapolis Residents to Safety Training" by Odette Yousef and Jim Urquhart, a Pulitzer Center reporting project

HERE LIE THE WORLD-SPINNERS
on an armature. Spinnerets shoot silk as
cold as a lover’s touch. Strong red wine
and charcuterie, a moment of nitrous; see:
as you feast, the moment stretches. Past
pardon, the King stands. Grins; framed, a
being pinned by 90% alcohol and stakes
suffering — beneath his palm, it quivers,
knowing this life only lives in a last breath,
a hapless victim of profit-driven practices. Here
silk from our orifices creates the fabric of
the throne upon which he sits. You don’t
care — it is the end of a life; we will die
to prevent this, to stop our lovers’ tears
we weep in each other’s arms, and you:
from yourself. Here lie the eight legs of
the world-spinners, made into sculpture —
before this, we never parted; now, we know
our people are dying in open exhibits. Watch.

WHERE TWO WORLDS INTERSECT:
we sit on your new vertex, our lips stained
with pizza sauce. Normal things. Steel guns,
bodies pressing — normal things. I look up
the stock of your second amendment and a
strawman of myself peers back. With arms
of our own, we know: a normal thing; this is
the future. We’re going to lose people and watch,
watch only us sing our eulogies as you claim
lies: Demagoguery, that we are sin. But the
reality — the reality is that we are afraid of
rest. We are not predators, and it is not about
whether we want to or not — we must fight,
in the blaring of sirens, in schools; in graves,
you bury us. We do not look away; you hide
justice in your siege, worry in your wrath. Still,
we know: We must keep us safe. In our worlds,
we did well. But this is not one of them. Here,
I stand, merging two pistils you mistake for a gun.


Lynde Mogensen is a poet from the suburbs of Chicago who finds inspiration in sets of two: binary trees and contrapuntal poems, counterpoint melodies, and heartfelt duets. Driven to write by the dehumanization of fellow queer people by many mainstream news outlets, she found parallels between the selves they hide and the doublespeak they use to do so. She hopes for a future wherein no one must erase themselves to be loved.

Read more winning entries from the 2025 Fighting Words Poetry Contest.