Asim Rafiqui, for the Pulitzer Center
On the Getty Images archive you can type in 'Gaza Destroyed' and retrieve over 5,500 images to select from. If you run the query 'Gaza Funerals' you will get back over 7,000 images. I was unable to check the Corbis archives because at the time of writing this entry their site was undergoing maintenance. But I am confident that I would find a similarly large number of images for both the queries above.
The challenge for a photographer arriving in Gaza is that s/he is walking into a place that has been consistently and extensively photographed for decades, and that there are many fine, talented and professional Palestinian photographers who carry out this task for their various agencies. In addition, some of the best and most talented international photojournalists have also made Gaza the focus of their work.
I have arrived in Gaza in the aftermath of Israel's most recent military operation against the region, Operation Cast Lead. And I find that though the scale of this latest venture is larger than anything I can remember from my previous travels to Gaza, its impact and consequences are very familiar.
The official numbers state that over 1,300 people have been killed, of which it is believed that nearly 400 were children, about 100,000 made homeless, and about 5000 left injured.
I arrived here just as the cease fire had been declared, and I was immediately struck by how familiar it all seemed.
My first trip to Gaza was in 2003. I then returned and continued to document the situation here, particularly in Rafah, Gaza, in 2004 and 2005.
The settlers were still in Gaza then, and so were activists from the International Solidarity Movement, and the armored bulldozers and their accompanying tanks that were constructing the massive steel wall along Rafah's border with Egypt. Home demolitions were frequent along the Rafah border as bulldozers tore down Palestinian homes to make way for this steel wall. Tank patrols would terrorize residents living along the border, and there would be frequent firing into these neighborhoods resulting in deaths and maiming of residents.
As a photographer I documented funerals, Hamas marches and families salvaging their belongings from the ruins of their destroyed houses.
And now, as I walk through the devastation in Gaza from the most recent Israeli operation, I am struck by how familiar and how similar it all looks.
My photographs from this morning look little different from those I took back in 2003, 2004 and 2005! In fact, a simple re-edit of the captions of my previous work and I could convince you that the photograph was taken just yesterday!
The scale is different. Absolutely. But the visible consequences are the same as: dead bodies and lost lives; destroyed homes and displaced families; angry funerals and political exploitation; protest marches and armed men promising revenge; physical destruction and families trying to rebuild.
We have been here before.
We are here again.
As I walk through Gaza with my little camera in hand, and around me scramble some of the world's finest photojournalists capturing yet more of what we have already known and seen, I am desperately trying to find my own voice to this story.
And it is not helping that I know that in the not too distant future there will be yet more confrontations, and more military operations, and more funerals, and marches, and destroyed homes and displaced lives.
The cycle repeats itself.
Is there a way to stop the images from doing the same?