January 20, 2015
by Callum Macrae

Award-winning documentary filmmaker Callum Macrae tours U.S. college campuses from New York to San Diego to screen his film, No Fire Zone, and discuss human rights issues.

January 19, 2015 / Foreign Policy
by Dimiter Kenarov

Ukrainians thought that, post-Maidan, their country would start to look more like Europe. But for members of the LGBT community, things may have even gotten worse.

January 16, 2015
by Jason Motlagh, Lukas Augustin

2015 National Magazine Award Finalists include Pulitzer Center grantees, Jason Motlagh, Lukas Augustin and Niklas Schenck.

January 14, 2015 / Moment
by Yigal Schleifer

After massive demonstrations and new elections, Ukrainians say they are ready for democratic reforms. But that won’t be easy, given the history of corruption and a war in the east.

January 13, 2015
by Callum Macrae

Callum Macrae presents his film No Fire Zone at the School of International and Public Affairs, followed by a discussion about the conflict and the current politics at play in Sri Lanka.

January 13, 2015
by Callum Macrae

No Fire Zone focuses on final brutal days of civil war, incorporating footage recorded by victims and perpetrators.

January 12, 2015
by Callum Macrae

Join us for in-depth conversation about Sri Lanka's past civil war and its future.

January 12, 2015
by Tom Hundley, Dimiter Kenarov

Life imitates art in Vladimir Putin's Crimea.

January 9, 2015 / Untold Stories
by Alice Su

Alice Su reveals what happens behind the scenes while reporting on Sudanese and Syrian refugees in Jordan and Lebanon.

January 8, 2015
by Callum Macrae

War crime allegations, human rights reporting and recent political developments part of focus on Sri Lanka.

January 7, 2015 / Channel 4
by Callum Macrae

Sri Lankan President Mahinda Rajapaksa, is engaged in a desperate fight for his political life in an election which just a few months ago seemed to be his for the taking.

January 6, 2015 / VQR
by Dimiter Kenarov, Boryana Katsarova

Two performances seem to be taking place in parallel: one inside the theater with actors, and another in the streets outside with soldiers in green balaclavas and no recognizable insignia.

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